Comments On The Financial Performance Of Rap Ltd Essay

Efficient management strategy reflects in the gross profit sales which increased in the year 2008 with 23% as compared with the year 2009. In the year 2009, RAP Ltd. hasn’t focuses on reduces the cost of goods sold which gives a slightly negative reflection on the gross profit. Slight decrease in the year 2009 gross profit because of economic recession in the economy reflects on the gross profit of RAP Ltd. Moreover, RAP Ltd. high ratio of COGS in the shape of FOH, Purchases etc and also due to internal restructuring. On the whole the gross profit margin is fair enough and one should hope that the percentage of gross profit margin will increase in years to come Meigs (1999). NET PROFIT MARGIN The profit margin on sales ratio tells us the ability of the firm to convert its sales into profits. A low profit margin on sales indicates high expenses which consume most of the revenue earned by the firm. In such a case, the firm needs to analyze and point out areas which are producing more expenses than usual. The higher the ratio, the better it is for the company. From the perspective of RAP Ltd. there is a slightly negative moment is reviewed in the year 2009. RAP Ltd. net profit margin in the year 2009 is 12% because of margins in selling, administration expenses and Distribution costs. In that case RAP Ltd. still has a room for improvement in the net profit margin Garrison (2004). Moreover in the year 2009, because of rough economic and business condition, RAP Ltd. efficient business running strategy hit badly in terms of net profit margin. It is viewed that Net Profit margin rate will increase in years to come. The management strategy has helped generate more revenue but there has been significant impact made on the net profit Myers, Brealey and Marcus (2001). LIQUIDITY CURRENT RATIO The current ratio tells us about the liquidity of the company. It is the ratio which tells us the company’s ability to pay off its liabilities using the current assets in case the company is liquidated. Higher the current ratio, the better it is. RAP Ltd. current ratio is slightly on the lower side in the year 2009 in comparison with the year 2008. This ratio indicates a higher margin of safety with respect to meeting current obligations. RAP Ltd. current ratio will not allow them to take more debt as compared to previous years practices. RAP Ltd. current ratio haven’t strong current ratio and its gives a not a strong and positive signal to the creditors that company’s business operation is running on a right path. The current ratio of RAP Ltd. suggests that company have not sufficient and ample reserve cash or liquid asset and RAP Ltd. can’t utilize the excess or reserve cash on their ongoing business. QUICK RATIO RAP Ltd. quick ratio is not better in all the two years period. Although, RAP Ltd. has a higher inventory but improper maintenance of working capital management strategy has also a hurdle in order to produce a healthy quick ratio. In addition, RAP Ltd. quick ratio gives a negative signal to the market, indicating that there is a liquidity problem for RAP Ltd. Besley, Brigham, Scott, Eugene F. (2001). EFFICIENCY STOCK TURNOVER PERIOD RAP Ltd. is able to convert its inventory into cash every 59th day in the year 2009 and 55th day in the year 2008, which is not good going for the company in comparison with the previous years. This shows that RAP Ltd. is better at managing its inventory especially in the years 2008. RAP Ltd. inventory management strategies make a strong reflection on this ratio and it is evident that company’s operating cycle is slightly high in comparison with the previous years which are fair practice as far as company’s perspective is concerned. RECEIVABLE (DEBTORS) DAYS Receivable debtors’ days tells us the average number of days it will take to recover the accounts receivables balance. This allows the investors and the management of the company to analyze the effectiveness of the current credit policy and its implementation. Slow collection period increases the probability of bad debts and this important factor make a reflection on the RAP Ltd. average collection period. RAP Ltd. has employed an effective credit policy for its customers and adopted an aggressive credit policy to collect their receivables. CAPITAL STRUCTURE DEBT TO EQUITY Dependency on debt financing is not a bad habit but it has consequences if you rely on more. RAP Ltd. debt to equity ratio is on the lower side in the year 2009 in comparison with the year 2008 due to the factors of business volume, increment in sales, fulfilment to pay the suppliers and acquisitions of fixed asset. Due to the expansion in business, RAP Ltd. has plenty of financial obligations, most of which has been acquired through equity. DEBT TO ASSET RAP Ltd. D/A ratio, is around 12% in the year 2009. In the year 2008, the debt to total assets is around 14% which is good as far as the performance is concerned. The year 2009 is worst for RAP Ltd. , the main reason behind is the improper utilization of debt in order to capitalize assets. Moreover, it also reveals the fact that the management of the company can’t generate more assets in response with the debt. A higher D/A ratio would place the company under increased amount of risk, especially if the interest rates are rising. Hence, a lower D/A ratio would be more desirable Besley, Brigham, Scott, Eugene F. (2001). INTEREST COVERAGE RATIO This ratio helps the analysts analyze the ability of the firm to pay interest on the debt. This ratio is especially of concern to the creditors of the firm or the banks who are interested in providing debt financing to the firm. If the company is able to pay its interest expense, only then it is able to obtain financing. The TIE ratio of RAP Ltd. is satisfactory since it is showing a high earning before income and tax. TIE ratio is concerned it looks healthy as far as company’s future operations are concerned and it also gives an indication that debt holders are not concerned about the company’s performance because RAP Ltd. has reported an excellent TIE ratio through out two years. It is a good signal for the company’s perspective (Besley, Brigham, 2001). RECOMMENDATIONS My recommendations are stated below: †¢ Design the Internal control system that really helps in the company’s financial policies. †¢ Formulating and implementing the corporate strategy which determines the company’s mission and objectives and also oversight the risk associated with. †¢ High cost of sales make a negative impact on the gross profit and also the raising variable and fixed cost cut down the profit so the company take all necessary step to continue the same practice. †¢ Company also making the strategy to utilize all the assets at its optimum level and not should eyeing on the fact that no asset remains idle. Moreover, company focuses more on capital expenditure. †¢ High leverage and dependency on debt financing create an alarming situation for XYZ Inc because in this current scenario current ratio is slightly weaker and it not gives the right signal to the debt holder. Current Asset can’t generate the income in away that reflects in the current ratio. All in all, not out of the woods but small improvements in sales and margins and return to basics could translate into more upside. CONCLUSION RAP Ltd. portrays a very strong and positive position in the markets place and without doubt this company has an ability to challenge its rivals to have a girds to become the market leader. There are certain areas where RAP Ltd. should pay attention to like in the area of working capital, net profit margin, reduction in revenue expenditures on consistent basis and assist in increase its investor’s confidence towards the organization. C. The limitations are stated below: †¢ The implementation of different accounting policies might distract the reported figures. Like frequently made changes in depreciation methods, in inventory valuation technique etc (Besley, Brigham, Scott, Eugene F. 2001, p. 98). †¢ If the reported figures on financial statement are out of date then the ratio can’t portrait the true picture of the company. †¢ The ratio are also not debated on the risk associated the figures. †¢ If the employees or the management of the company manipulated with the figures or uses the big bath accounting technique or uses window dressing techniques then the ratios are also not clearly projected the company’s performance. (Besley, Brigham, Scott, Eugene F. 2001, p. 98) †¢ Ratios are also not clearly drawn the valid projection of the company’s capital structure or the size of the company’s business (Besley, Brigham, Scott, Eugene F. 2001, p. 98). †¢ It is the reality that inflation distorts the reported amount. Ratio are not provides any appropriate judgment over the issue related with inflation. †¢ The factor of risk is beyond the control of ratios and the ratios are provides any proper evaluation related with risk. REFERENCES Besley, Brigham, Scott, Eugene F. (2001). Principles of Finance. Florida: Harcourt College Publishers. Brealey, Richard A. , Stewart C. Myers, Alan J. Marcus (2001). Fundamentals of Corporate Finance. 4th ed. New York: McGraw-Hill. Garrison, Ray H, Eric Noreen, Peter C. Brewer (2004). Managerial Accounting. Meigs, Robert F. , Mary A. Meigs, Mark Bettner, Ray Whittington. Accounting: the basis for Business Decisions. 11th ed. New York: McGraw Hill

A ideal college student

College by definition Is an institution of higher learning. Being a college student can be excited because It's a different step of your life, where you going to face a new world, deal with different kind of people that not have the some objective as you Like high school. And sometimes move from your country, to the country of your college acceptance. Move from your country means also move from your parent's house; which is one of the best opportunity almost 90% of kids are waiting for when they were in high school.For them, leave their parent's house make them independent ND don't have to be on nobody's control. Being a college student can be also frustrated. This is the moment of your life where you have to decide on what you want for your future, where you are going to understand the meaning of the word â€Å"life†, because you are going to be on your own to find your road and fit your shoes. And a financial aid or loan that stresses you out every time you have a bad grade. What can be more frustrated than that? An ideal college student after finish to choose his major base not on the money Is easily made but where you can be especially succeed; needs to be smart, responsible and organize. To do so you need to know that you have to attend class regularly and on time, Don't skip class for any reason; If you do miss one try to take notes from somebody. So for the next class you can be able to understand because sometimes the next chapter is related to the previous one.Be a good listener by paying attention to your instructor; that means no talking, testing while you are in class. It is better to participate on the course and ask question that's will help you to understand your notes. Be organized that means if your have more than one class don't mix all your notes; put each material for each lass separately so it will be easier when it's comes the time to study. Keep your study area clean and free with all study materials on a specific place that you can reach them whenever you need them.Because, by looking too much for a book can make you agitated and loose concentrations. Don't Walt until final to study make a weekly schedule like: 6 hours to study, 8 hours to read and at least go to the library twice a week for some research. For the 6 hours study try to Identify the author mall point that can help you to understand the lesson purpose, stay focus as you read, use slighter, look for the key points and keep your dictionary close to you. Make new friends so you can have somebody to talk to about the next course or the assignment.In high school we were young; we did not worry too much all that matter was making friends just to have but is different in college. You are not looking only for friends, you are looking for people that you can talk about the course, the assignments and have together a study group so you can meet with for homework and discuss on something at least once a week. Being a college student does not mean you have to focus only on school things and disconnect from the outside.You have to have time for some fun such as going to the movies, having get together, so your mind can have a break and be fresher for the that are rich in proteins and vitamins also do not forget to drink a lot that your body can be hydrated, The ideal college student needs to know that there is no success that does not ask for a sacrifice. Life is getting harder from day to day so there is no place for mistake, all he has to do keep focus, be a devote student, delete the word fail on his vocabulary, be organized and include his text books on his everyday life with those he already has the key of the success door.

The Twilight Saga 2: New Moon Chapter 21 VERDICT

WE WERE IN A BRIGHTLY LIT, UNREMARKABLE HALLWAY. The walls were off-white, the floor carpeted in industrial gray. Common rectangular fluorescent lights were spaced evenly along the ceiling. It was warmer here, for which I was grateful. This hall seemed very benign after the gloom of the ghoulish stone sewers. Edward didn't seem to agree with my assessment. He glowered darkly down the long hallway, toward the slight, black shrouded figure at the end, standing by an elevator. He pulled me along, and Alice walked on my other side. The heavy door creaked shut behind us, and then there was the thud of a bolt sliding home. Jane waited by the elevator, one hand holding the doors open for us. Her expression was apathetic. Once inside the elevator, the three vampires that belonged to the Volturi relaxed further. They threw back their cloaks, letting the hoods fall back on their shoulders. Felix and Demetri were both of a slightly olive complexionit looked odd combined with their chalky pallor. Felix's black hair was cropped short, but Demetri's waved to his shoulders. Their irises were deep crimson around the edges, darkening until they were black around the pupil. Under the shrouds, their clothes were modern, pale, and nondescript. I cowered in the corner, cringing against Edward. His hand still rubbed against my arm. He never took his eyes off Jane. The elevator ride was short; we stepped out into what looked like a posh office reception area. The walls were paneled in wood, the floors carpeted in thick, deep green. There were no windows, but large, brightly lit paintings of the Tuscan countryside hung everywhere as replacements. Pale leather couches were arranged in cozy groupings, and the glossy tables held crystal vases full of vibrantly colored bouquets. The flowers' smell reminded me of a funeral home. In the middle of the room was a high, polished mahogany counter. I gawked in astonishment at the woman behind it. She was tall, with dark skin and green eyes. She would have been very pretty in any other companybut not here. Because she was every bit as human as I was. I couldn't comprehend what this human woman was doing here, totally at ease, surrounded by vampnes. She smiled politely in welcome. â€Å"Good afternoon, Jane,† she said. There was no surprise in her face as she glanced at Jane's company. Not Edward, his bare chest glinting dimly in the white lights, or even me, disheveled and comparatively hideous. Jane nodded. â€Å"Gianna.† She continued toward a set of double doors in the back of the room, and we followed. As Felix passed the desk, he winked at Gianna, and she giggled. On the other side of the wooden doors was a different kind of reception. The pale boy in the pearl gray suit could have been Jane's twin. His hair was darker, and his lips were not as full, but he was just as lovely. He came forward to meet us. He smiled, reaching for her. â€Å"Jane.† â€Å"Alec,† she responded, embracing the boy. They kissed each other's cheeks on both sides. Then he looked at us. â€Å"They send you out for one and you come back with two and a half,† he noted, looking at me. â€Å"Nice work.† She laughedthe sound sparkled with delight like a baby's cooing. â€Å"Welcome back, Edward,† Alec greeted him. â€Å"You seem in a better mood.† â€Å"Marginally,† Edward agreed in a flat voice. I glanced at Edward's hard face, and wondered how his mood could have been darker before. Alec chuckled, and examined me as I clung to Edward's side. â€Å"And this is the cause of all the trouble?† he asked, skeptical. Edward only smiled, his expression contemptuous. Then he froze. â€Å"Dibs,† Felix called casually from behind. Edward turned, a low snarl building deep in his chest. Felix smiledhis hand was raised, palm up; he curled his fingers twice, inviting Edward forward. Alice touched Edward's arm. â€Å"Patience,† she cautioned him. They exchanged a long glance, and I wished I could hear what she was telling him. I figured that it was something to do with not attacking Felix, because Edward took a deep breath and turned back to Alec. â€Å"Aro will be so pleased to see you again,† Alec said, as if nothing had passed. â€Å"Let's not keep him waiting,† Jane suggested. Edward nodded once. Alec and Jane, holding hands, led the way down yet another wide, ornate hallwould there ever be an end? They ignored the doors at the end of the halldoors entirely sheathed in goldstopping halfway down the hall and sliding aside a piece of the paneling to expose a plain wooden door. It wasn't locked. Alec held it open for Jane. I wanted to groan when Edward pulled me through to the other side of the door. It was the same ancient stone as the square, the alley, and the sewers. And it was dark and cold again. The stone antechamber was not large. It opened quickly into a brighter, cavernous room, perfectly round like a huge castle turret which was probably exactly what it was. Two stories up, long window slits threw thin rectangles of bright sunlight onto the stone floor below. There were no artificial lights. The only furniture in the room were several massive wooden chairs, like thrones, that were spaced unevenly, flush with the curving stone walls. In the very center of the circle, in a slight depression, was another drain. I wondered if they used it as an exit, like the hole in the street. The room was not empty. A handful of people were convened in seemingly relaxed conversation. The murmur of low, smooth voices was a gentle hum in the air. As I watched, a pair of pale women in summer dresses paused in a patch of light, and, like prisms, their skin threw the light in rainbow sparkles against the sienna walls. The exquisite faces all turned toward our party as we entered the room. Most of the immortals were dressed in inconspicuous pants and shirtsthings that wouldn't stick out at all on the streets below. But the man who spoke first wore one of the long robes. It was pitch-black, and brushed against the floor. For a moment, I thought his long, jet-black hair was the hood of his cloak. â€Å"Jane, dear one, you've returned!† he cried in evident delight. His voice was just a soft sighing. He drifted forward, and the movement flowed with such surreal grace that I gawked, my mouth hangmg open. Even Alice, whose every motion looked like dancing, could not compare. I was only more astonished as he floated closer and I could see his face. It was not like the unnaturally attractive faces that surrounded him (for he did not approach us alone; the entire group converged around him, some following, and some walking ahead of him with the alert manner of bodyguards). I couldn't decide if his face was beautiful or not. I suppose the features were perfect. But he was as different from the vampires beside him as they were from me. His skin was translucently white, like onionskin, and it looked just as delicateit stood in shocking contrast to the long black hair that framed his face. I felt a strange, horrifying urge to touch his cheek, to see if it was softer than Edward's or Alice's, or if it was powdery, like chalk. His eyes were red, the same as the others around him, but the color was clouded, milky; I wondered if his vision was affected by the haze. He glided to Jane, took her face in his papery hands, kissed her lightly on her full lips, and then floated back a step. â€Å"Yes, Master.† Jane smiled; the expression made her look like an angelic child. â€Å"I brought him back alive, just as you wished.† â€Å"Ah, Jane.† He smiled, too. â€Å"You are such a comfort to me.† He turned his misty eyes toward us, and the smile brightenedbecame ecstatic. â€Å"And Alice and Bella, too!† he rejoiced, clapping his thin hands together. â€Å"This is a happy surprise! Wonderful!† I stared in shock as he called our names informally, as if we were old friends dropping in for an unexpected visit. He turned to our hulking escort. â€Å"Felix, be a dear and tell my brothers about our company. I'm sure they wouldn't want to miss this.† â€Å"Yes, Master.† Felix nodded and disappeared back the way we had come. â€Å"You see, Edward?† The strange vampire turned and smiled at Edward like a fond but scolding grandfather. â€Å"What did I tell you? Aren't you glad that I didn't give you what you wanted yesterday?† â€Å"Yes, Aro, I am,† he agreed, tightening his arm around my waist. â€Å"I love a happy ending.† Aro sighed. â€Å"They are so rare. But I want the whole story. How did this happen? Alice?† He turned to gaze at Alice with curious, misty eyes. â€Å"Your brother seemed to think you infallible, but apparently there was some mistake.† â€Å"Oh, I'm far from infallible.† She flashed a dazzling smile. She looked perfectly at ease, except that her hands were balled into tight little fists. â€Å"As you can see today, I cause problems as often as I cure them.† â€Å"You're too modest,† Aro chided. â€Å"I've seen some of your more amazing exploits, and I must admit I've never observed anything like your talent. Wonderful!† Alice flickered a glance at Edward. Aro did not miss it. â€Å"I'm sorry, we haven't been introduced properly at all, have we? It's just that I feel like I know you already, and I tend get ahead of myself. Your brother introduced us yesterday, in a peculiar way. You see, I share some of your brother's talent, only I am limited in a way that he is not.† Aro shook his head; his tone was envious. â€Å"And also exponentially more powerful,† Edward added dryly. He looked at Alice as he swiftly explained. â€Å"Aro needs physical contact to hear your thoughts, but he hears much more than I do. You know I can only hear what's passing through your head in the moment. Aro hears every thought your mind has ever had.† Alice raised her delicate eyebrows, and Edward inclined his head. Aro didn't miss that either. â€Å"But to be able to hear from a distance† Aro sighed, gesturing toward the two of them, and the exchange that had just taken place. â€Å"That would be so convenient.† Aro looked over our shoulders. All the other heads turned in the same direction, including Jane, Alec, and Demetri, who stood silently beside us. I was the slowest to turn. Felix was back, and behind him floated two more black-robed men. Both looked very much like Aro, one even had the same flowing black hair. The other had a shock of snow-white hairthe same shade as his facethat brushed against his shoulders. Their faces had identical, paper-thin skin. The trio from Carlisle's painting was complete, unchanged by the last three hundred years since it was painted. â€Å"Marcus, Caius, look!† Aro crooned. â€Å"Bella is alive after all, and Alice is here with her! Isn't that wonderful?† Neither of the other two looked as if wonderful would be their first choice of words. The dark-haired man seemed utterly bored, like he'd seen too many millennia of Aro's enthusiasm. The other's hice was sour under the snowy hair. Their lack of interest did not curb Aro's enjoyment. â€Å"Let us have the story,† Aro almost sang in his feathery voice. The white-haired ancient vampire drifted away, gliding toward one of the wooden thrones. The other paused beside Aro, and he reached his hand out, at first I thought to take Aro's hand. But he just touched Aro's palm briefly and then dropped his hand to his side. Aro raised one black brow. I wondered how his papery skin did not crumple in the effort. Edward snorted very quietly, and Alice looked at him, curious. â€Å"Thank you, Marcus,† Aro said. â€Å"That's quite interesting.† I realized, a second late, that Marcus was letting Aro know his thoughts. Marcus didn't look interested. He glided away from Aro to join the one who must be Caius, seated against the wall. Two of the attending vampires followed silently behind himbodyguards, like I'd thought before. I could see that the two women in the sundresses had gone to stand beside Caius in the same manner. The idea of any vampire needing a guard was faintly ridiculous to me, but maybe the ancient ones were as frail as their skin suggested. Aro was shaking his head. â€Å"Amazing,†Ã¢â‚¬Ëœ he said. â€Å"Absolutely amazing.† Alice's expression was frustrated. Edward turned to her and explained again in a swift, low voice. â€Å"Marcus sees relationships. He's surprised by the intensity of ours.† Aro smiled. â€Å"So convenient,† he repeated to himself. Then he spoke to us. â€Å"It takes quite a bit to surprise Marcus, I can assure you.† I looked at Marcus's dead face, and I believed that. â€Å"It's just so difficult to understand, even now,† Aro mused, staring at Edward's arm wrapped around me. It was hard for me to follow Aro's chaotic train of thought. I struggled to keep up. â€Å"How can you stand so close to het like that?† â€Å"It's not without effort,† Edward answered calmly. â€Å"Butstillla tua cantante! What a waste!† Edward chuckled once without humor. â€Å"I look at it more as a price.† Aro was skeptical. â€Å"A very high price.† â€Å"Opportunity cost.† Aro laughed. â€Å"If I hadn't smelled her through your memories, I wouldn't have believed the call of anyone's blood could be so strong. I've never felt anything like it myself. Most of us would trade much for such a gift, and yet you† â€Å"Waste it,† Edward finished, his voice sarcastic now. Aro laughed again. â€Å"Ah, how I miss my friend Carlisle! You remind me of himonly he was not so angry.† â€Å"Carlisle outshines me in many other ways as well.† â€Å"I certainly never thought to see Carlisle bested for self-control of all things, but you put him to shame.† â€Å"Hardly.† Edward sounded impatient. As if he were tired of the preliminaries. It made me more afraid; I couldn't help but try to imagine what he expected would follow. â€Å"I am gratified by his success,† Aro mused. â€Å"Your memories of him are quite a gift for me, though they astonish me exceedingly. I am surprised by how it pleases me, his success in this unorthodox path he's chosen. I expected that he would waste, weaken with time. I'd scoffed at his plan to find others who would share his peculiar vision. Yet, somehow, I'm happy to be wrong.† Edward didn't reply. â€Å"But your restraint!† Aro sighed. â€Å"I did not know such strength was possible. To inure yourself against such a siren call, not just once but again and againif I had not felt it myself, I would not have believed.† Edward gazed back at Aro's admiration with no expression. I knew his face well enoughtime had not changed thatto guess at something seething beneath the surface. I fought to keep my breathing even. â€Å"Just remembering how she appeals to you† Aro chuckled. â€Å"It makes me thirsty.† Edward tensed. â€Å"Don't be disturbed,† Aro reassured him. â€Å"I mean her no harm. But I am so curious, about one thing in particular.† He eyed me with bright interest. â€Å"May I?† he asked eagerly, lifting one hand. â€Å"Ask her,† Edward suggested in a flat voice. â€Å"Of course, how rude of me!† Aro exclaimed. â€Å"Bella,† he addressed me directly now. â€Å"I'm fascinated that you are the one exception to Edward's impressive talentso very interesting that such a thing should occur! And I was wondering, since our talents are similar in many ways, if you would be so kind as to allow me to tryto see if you are an exception for me, as well?† My eyes flashed up to Edward's face in terror. Despite Aro's overt politeness, I didn't believe I really had a choice. I was horrified at the thought of allowing him to touch me, and yet also perversely intrigued by the chance to feel his strange skin. Edward nodded in encouragementwhether because he was sure Aro would not hurt me, or because there was no choice, I couldn't tell. I turned back to Aro and raised my hand slowly in front of me. It was trembling. He glided closer, and I believe he meant his expression to be reassuring. But his papery features were too strange, too alien and frightening, to reassure. The look on his face was more confident than his words had been. Aro reached out, as if to shake my hand, and pressed his insubstantial-looking skin against mine. It was hard, but felt brittleshale rather than graniteand even colder than I expected. His filmy eyes smiled down at mine, and it was impossible to look away. They were mesmerizing in an odd, unpleasant way. Aro's face altered as I watched. The confidence wavered and became first doubt, then incredulity before he calmed it into a friendly mask. â€Å"So very interesting,† he said as he released my hand and drifted back. My eyes flickered to Edward, and, though his face was composed, I thought he seemed a little smug. Aro continued to drift wnh a thoughtful expression. He was quiet for a moment, his eyes flickering between the three of us. Then, abruptly, he shook his head. â€Å"A first,† he said to himself â€Å"I wonder if she is immune to our other talents Jane, dear?† â€Å"No!† Edward snarled the word. Alice grabbed his arm with a restraining hand. He shook her off. Little Jane smiled up happily at Aro. â€Å"Yes, Master?† Edward was truly snarling now, the sound ripping and tearing from him, glaring at Aro with baleful eyes. The room had gone still, everyone watching him with amazed disbelief, as if he were committing some embarrassing social faux pas. I saw Felix grin hopefully and move a step forward. Aro glanced at him once, and he froze in place, his grin turning to a sulky expression. Then he spoke to Jane. â€Å"I was wondering, my dear one, if Bella is immune to you.† I could barely hear Aro over Edward's furious growls. He let go of me, moving to hide me from their view. Caius ghosted in our direction, with his entourage, to watch. Jane turned toward us with a beatific smile. â€Å"Don't!† Alice cried as Edward launched himself at the little girl. Before I could react, before anyone could jump between them, before Aro's bodyguards could tense, Edward was on the ground. No one had touched him, but he was on the stone floor writhing in obvious agony, while I stared in horror. Jane was smiling only at him now, and it all clicked together. What Alice had said about formidable gifts , why everyone treated Jane with such deference, and why Edward had thrown himself in her path before she could do that to me. â€Å"Stop!† I shrieked, my voice echoing in the silence, jumping forward to put myself between them. But Alice threw her arms around me in an unbreakable grasp and ignored my struggles. No sound escaped Edward's lips as he cringed against the stones. It felt like my head would explode from the pain of watching this. â€Å"Jane,† Aro recalled her in a tranquil voice. She looked up quickly, still smiling with pleasure, her eyes questioning. As soon as Jane looked away, Edward was still. Aro inclined his head toward me. Jane turned her smile in my direction. I didn't even meet her gaze. I watched Edward from the prison of Alice's arms, still struggling pointlessly. â€Å"He's fine,† Alice whispered in a tight voice. As she spoke, he sat up, and then sprang lightly to his feet. His eyes met mine, and they were horror-struck. At first I thought the horror was for what he had just suffered. But then he looked quickly at Jane, and back to meand his face relaxed into relief. I looked at Jane, too, and she no longer smiled. She glared at me, her jaw clenched with the intensity of her focus. I shrank back, waiting for the pain. Nothing happened. Edward was by my side again. He touched Alice's arm, and she surrendered me to him. Aro started to laugh. â€Å"Ha, ha. ha,† he chuckled. â€Å"This is wonderful!† Jane hissed in frustration, leaning forward like she was preparing to spring. â€Å"Don't be put out, dear one,† Aro said in a comforting tone, placing a powder-light hand on her shoulder. â€Å"She confounds us all.† Jane's upper lip curled back ever her teeth as she continued to glare at me. â€Å"Ha, ha, ha,† Aro chortled again. â€Å"You're very brave, Edward, to endure in silence. I asked Jane to do that to me oncejust out of curiosity.† He shook his head in admiration. Edward glared, disgusted. â€Å"So what do we do with you now?† Aro sighed. Edward and Alice stiffened. This was the part they'd been waiting for. I began to tremble. â€Å"I don't suppose there's any chance that you've changed your mind?† Aro asked Edward hopefully. â€Å"Your talent would be an excellent addition to our little company.† Edward hesitated. From the corner of my eye, I saw both Felix and Jane grimace. Edward seemed to weigh each word before he spoke it. â€Å"I'd rather not.† â€Å"Alice?† Aro asked, still hopeful. â€Å"Would you perhaps be interested in joining with us?† â€Å"No, thank you,† Alice said. â€Å"And you, Bella?† Aro raised his eyebrows. Edward hissed, low in my ears. I stared at Aro blankly. Was he joking? Or was he really asking me if I wanted to stay for dinner? It was the white-haired Caius who broke the silence. â€Å"What?† he demanded of Aro; his voice, though no more than a whisper, was flat. â€Å"Caius, surely you see the potential,† Aro chided him affectionately. â€Å"I haven't seen a prospective talent so promising since we found Jane and Alec. Can you imagine the possibilities when she is one of us?† Caius looked away with a caustic expression. Jane's eyes sparked with indignation at the comparison. Edward fumed beside me. I could hear a rumble in his chest, building toward a growl. I couldn't let his temper get him hurt. â€Å"No, thank you,† I spoke up in barely more than a whisper, my voice breaking in fright. Aro sighed. â€Å"That's unfortunate. Such a waste.† Edward hissed. â€Å"Join or die, is that it? I suspected as much when we were brought to this room. So much for your laws.† The tone of his voice surprised me. He sounded irate, but there was something deliberate about his deliveryas if he'd chosen his words with great care. â€Å"Of course not.† Aro blinked, astonished. â€Å"We were already convened here, Edward, awaiting Heidi's return. Not for you.† â€Å"Aro,† Caius hissed. â€Å"The law claims them.† Edward glared at Caius. â€Å"How so?† he demanded. He must have known what Caius was thinking, but he seemed determined to make him speak it aloud. Caius pointed a skeletal finger at me. â€Å"She knows too much. You have exposed our secrets.† His voice was papery thin, just like his skin. â€Å"There are a few humans in on your charade here, as well,† Edward reminded him, and I thought of the pretty receptionist below. Caius's face twisted into a new expression. Was it supposed to be a smiled. â€Å"Yes,† he agreed. â€Å"But when they are no longer useful to us, they will serve to sustain us. That is not your plan for this one. If she betrays our secrets, are you prepared to destroy her? I think not,† he scoffed. â€Å"I wouldn't,† I began, still whispering. Caius silenced me with an icy look. â€Å"Nor do you intend to make her one of us,† Caius continued. â€Å"Therefore, she is a vulnerability. Though it is true, for this, only her life is forfeit. You may leave if you wish.† Edward bared his teeth. â€Å"That's what I thought,† Caius said, with something akin to pleasure. Felix leaned forward, eager. â€Å"Unless† Aro interrupted. He looked unhappy with the way the conversation had gone. â€Å"Unless you do intend to give her immortality?† Edward pursed his lips, hesitating for a moment before he answered. â€Å"And if I do?† Aro smiled, happy again. â€Å"Why, then you would be free to go home and give my regards to my friend Carlisle.† His expression turned more hesitant. â€Å"But I'm afraid you would have to mean it.† Aro raised his hand in front of him. Caius, who had begun to scowl furiously, relaxed. Edward's lips tightened into a fierce line. He stared into my eyes, and I stared back. â€Å"Mean it,† I whispered. â€Å"Please.† Was it really such a loathsome idea? Would he rather die than change me? I felt like I'd been kicked in the stomach. Edward stared down at me with a tortured expression. And then Alice stepped away from us, forward toward Aro. We turned to watch her. Her hand was raised like his. She didn't say anything, and Aro waved off his anxious guard as they moved to block her approach. Aro met her halfway, and took her hand with an eager, acquisitive glint in his eyes. He bent his head over their touching hands, his eyes closing as he concentrated. Alice was motionless, her face blank. I heard Edward's teeth snap together. No one moved. Aro seemed frozen over Alice's hand. The seconds passed and I grew more and more stressed, wondering how much time would pass before it was too much time. Before it meant something was wrongmore wrong than it already was. Another agonizing moment passed, and then Aro's voice broke the silence. â€Å"Ha, ha, ha,† he laughed, his head still bent forward. He looked up slowly, his eyes bright with excitement. â€Å"That was fascinating!† Alice smiled dryly. â€Å"I'm glad you enjoyed it.† â€Å"To see the things you've seenespecially the ones that haven't happened yet!† He shook his head in wonder. â€Å"But that will,† she reminded him, voice calm. â€Å"Yes, yes, it's quite determined. Certainly there's no problem.† Caius looked bitterly disappointeda feeling he seemed to share with Felix and Jane. â€Å"Aro,† Caius complained. â€Å"Dear Caius,† Aro smiled. â€Å"Do not fret. Think of the possibilities! They do not join us today, but we can always hope for the future. Imagine the joy young Alice alone would bring to our little household Besides, I'm so terribly curious to see how Bella turns out!† Aro seemed convinced. Did he not realize how subjective Alice's visions were.' That she could make up her mind to transform me today, and then change it tomorrow? A million tiny decisions, her decisions and so many others', tooEdward'scould alter her path, and with that, the future. And would it really matter that Alice was willing, would it make any difference if I did become a vampire, when the idea was so repulsive to Edward? If death was, to him, a better alternative than having me around forever, an immortal annoyance? Terrified as I was, I felt myself sinking down into depression, drowning in it â€Å"Then we are free to go now?† Edward asked in an even voice. â€Å"Yes, yes,† Aro said pleasantly. â€Å"But please visit again. It's been absolutely enthralling!† â€Å"And we will visit you as well,† Caius promised, his eyes suddenly half-closed like the heavy-lidded gaze of a lizard. â€Å"To be sure that you follow through on your side. Were I you, I would not delay too long. We do not offer second chances.† Edward's jaw clenched tight, but he nodded once. Caius smirked and drifted back to where Marcus still sat, unmoving and uninterested. Felix groaned. â€Å"Ah, Felix.† Aro smiled, amused. â€Å"Heidi will be here at any moment. Patience.† â€Å"Hmm.† Edward's voice had a new edge to it. â€Å"In that case, perhaps we'd better leave sooner rather than later.† â€Å"Yes,† Aro agreed. â€Å"That's a good idea. Accidents do happen. Please wait below until after dark, though, if you don't mind.† â€Å"Of course,† Edward agreed, while I cringed at the thought of waiting out the day before we could escape. â€Å"And here,† Aro added, motioning to Felix with one finger. Felix came forward at once, and Aro unfastened the gray cloak the huge vampire wore, pulling from his shoulders. He tossed it to Edward. â€Å"Take this. You're a little conspicuous.† Edward put the long cloak on, leaving the hood down. Aro sighed. â€Å"It suits you.† Edward chuckled, but broke off suddenly, glancing over his shoulder. â€Å"Thank you, Aro. We'll wait below.† â€Å"Goodbye, young friends,† Aro said, his eyes bright as he stared in the same direction. â€Å"Let's go,† Edward said, urgent now. Demetri gestured that we should follow, and then set off the way we'd come in, the only exit by the look of things. Edward pulled me swiftly along beside him. Alice was close by my other side, her face hard. â€Å"Not fast enough,† she muttered. I stared up at her, frightened, but she only seemed chagrined. It was then that I first heard the babble of voicesloud, rough voicescoming from the antechamber. â€Å"Well this is unusual,† a man's coarse voice boomed. â€Å"So medieval,† an unpleasantly shrill, female voice gushed back. A large crowd was coming through the little door, filling the smaller stone chamber. Demetri motioned for us to make room. We pressed back against the cold wall to let them pass. The couple in front, Americans from the sound of them, glanced around themselves with appraising eyes. â€Å"Welcome, guests! Welcome to Volterra!† I could hear Aro sing from the big turret room. The rest of them, maybe forty or more, filed in after the couple. Some studied the setting like tourists. A few even snapped pictures. Others looked confused, as if the story that had led them to this room was not making sense anymore. I noticed one small, dark woman in particular. Around her neck was a rosary, and she gripped the cross tightly in one hand. She walked more slowly than the others, touching someone now and then and asking a question in an unfamiliar language. No one seemed to understand her, and her voice grew more panicked. Edward pulled my face against his chest, but it was too late. I already understood. As soon as the smallest break appeared, Edward pushed me quickly toward the door. I could feel the horrified expression on my face, and the tears beginning to pool in my eyes. The ornate golden hallway was quiet, empty except for one gorgeous, statuesque woman. She stared at us curiously, me in particular. â€Å"Welcome home, Heidi,† Demetri greeted her from behind us. Heidi smiled absently. She reminded me of Rosalie, though they looked nothing alikeit was just that her beauty, too, was exceptional, unforgettable. I couldn't seem to look away. She was dressed to emphasize that beauty. Her amazingly long legs, darkened with tights, were exposed by the shortest of miniskirts. Her top was long-sleeved and high-necked, but extremely close-fitting, and constructed of red vinyl. Her long mahogany hair was lustrous, and her eyes were the strangest shade of violeta color that might result from blue-tinted contacts over red irises. â€Å"Demetri,† she responded in a silky voice, her eyes flickering between my face and Edward's gray cloak. â€Å"Nice fishing,† Demetri complimented her, and I suddenly understood the attention-grabbing outfit she wore she was not only the fisherman, but also the bait. â€Å"Thanks.† She flashed a stunning smile. â€Å"Aren't you coming?† â€Å"In a minute. Save a few for me.† Heidi nodded and ducked through the door with one last curious look at me. Edward set a pace that had me running to keep up. But we still couldn't get through the ornate door at the end of the hallway before the screaming started.

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International Human Resources Management - Speech or Presentation Example Nevertheless, how do these Union responses to the aging workforce? In order of these trade unions to come up with a clear and realistic tool for identifying the best practice to initiate, advocate and implement in their respective area of operation, methodological and theoretical approaches are used in relation to empirical evidences and findings from other Europe countries. For example, the UK and German trade union tries to design their responses to the aging workforces based on the research conducted from multiple dimensions. However, how do they arrive at the best resolution? According to Matthew Flynn & Martin Upchurch (2012) methodological approach for the aging workforce, the UK, and the German trade union relies on the Companies’ case studies, institutional case studies, international literature reviews and contextualization of the best workforce practices from reports and interviews conducted. Based on the hypothetical specificity and sensitivity of the studies conducted by the trade union in response to their aging workforces, understanding the patterns and trends in which these trade unions response to the aging workforce becomes quite apparent. For example, when adapting to the pension system or regulating employees by norm setting, the UK trade union intend to raise the retirement ages for 68 years enclosing the withdrawal routes. In this regard, they increase the number of old workers in its workforce by 1 million in conjunction to enacting laws that prohibit discriminative working by age. In response, the UK government initiates welfare systems as well as tax initiatives that encourage the old generation to return to work. Comparatively, how do German trade union response to the aging workforce? The German trade union is directly opposite of what happens in the UK trade unions. German trade unions systems are inclusive providing negotiation

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McDonalds-arch delux burger - Essay Example After a detailed analysis, recommendations would be stated for this case. Ineffective Advertising Campaign McDonald’s hired an advertisement agency named Fallon McElligot for the advertisements of Arch Deluxe Burger. The amount ascertained for such advertisement campaign was $100 million. The advertisement showed that the children are getting confused as they could not understand what the Arch Deluxe Burger are all about, neither are they liking its look or taste, not any toys are given away with these burgers. It is known as rebel marketing. The motive was to show that the Arch Deluxe Burger was not for the children. Another advertisement of Arch Deluxe Burger showed that the executive chef of McDonalds is explaining the professionals in the elevator why the Arch Deluxe Burger is tasty and motivates them to eat (Kord â€Å"McDonalds Arch Deluxe Burger Commercial†). This advertisement was considered awful and was not liked by the people. The message that was delivered t hrough the advertisement was also another drawback which led to the downfall. The message said that â€Å"Burger with the Grown-up Taste.† It was tagged as sophisticated product not for kids. In one of the commercial it was seen that the children motivated her parents to go to McDonalds by just saying Arch Deluxe Burger. ... It was very odd that McDonalds were parents visit especially to accompany their children as it serves foods which is thoroughly liked by the children and the parents, is offering menus with is not for the children. The product Arch Deluxe Burger was for the adults as the taste of the product was considered more sophisticated. The advertisement campaign for the Arch Deluxe showed only adults loved to consume this burger, while the children hated it, as they did not like its taste. McDonalds spent heavily to reveal that its target customers were not children. In a family restaurant if a particular menu is restricted to only adults, then problems are bound to occur. This was the case for Arch Deluxe, and the customers discarded the product completely (Lubow â€Å"Steal This Burger†). Positioning Strategy Arch Deluxe Burger was a failure because of the way the product was positioned. The whole idea behind the positioning of Arch Deluxe burger was to show that it was a product not meant for children. It was revealed that no one went to McDonald to have sophisticated food or delicacies. People visited McDonalds for fun, convenience and to have delicious burger. The customers went to McDonalds because of their friendliness, tasty burger, cleanliness, and consistency. With this type of product positioning, McDonalds lost touch with its customers, and the children who are the major customers of the company also lost interest somehow in the burgers offered by the retailer. It was said that the product, Arch Deluxe burger was the result of a comprehensive research. This research revealed that people would like to have those burgers which are specifically designed for the adults or grownups. However, when the actually product was launched and

Dramatic Irony to Build the Character of Macbeth Essay Example for Free

Dramatic Irony to Build the Character of Macbeth Essay Macbeth, there’s a passage in which the King is speaking with Banquo and Macbeth. They are in the King’s palace, commenting about Macbeth becoming Thane of Cawdor. One of the literary resources that Shakespeare constantly uses is irony. In this case, he uses dramatic irony, in which the audience is aware of a situation that the other characters are not familiar with. In this specific circumstance, he uses the irony to build up the character of Macbeth, to let the audience judge him themselves. There are various examples in which the dramatic irony is explicit. The King has high expectations of the deeds that Macbeth is going to fulfill. He trusts Macbeth and he has just been assigned to be Thane of Cawdor. â€Å"He was a gentleman on whom I built an absolute trust†. The King is referring to the former Thane of Cawdor who betrayed him, he’s committing the same mistake twice, but he seems to be too naive, not considering the fact that maybe Macbeth can betray him too. Macbeth is not planning on doing so yet, but he is being tempted to. The audience knows that Macbeth has spoken to the three witches, that he has the idea of becoming king in his mind, the king doesn’t know this. Macbeth has been presented to us as a good person, not evil. He doesn’t seem to have any plans against the king, or against anybody, he seems to be honest and pacific. We think like this and so do the rest of the characters. The problem is that an obstacle has been placed in his way, he has been tempted, he is being manipulated into becoming greedy and ambitious. Temptation is attacking his mind, one can clearly identify this in his aside, â€Å"let not light see my black and deep desires† . He is admitting to himself that he is feeling inducement to commit a crime in order to get to the crown. The situational irony here is present because of the fact that the king is saying wonderful comments about Macbeth and he is answering him with all respect and honor, but the audience hears his aside, proving him to be kind of a hypocrite. The image the spectators have of Macbeth is beginning to change. Macbeth praises the King in each and every one of his sentences. He continues telling him how hard he is going to work for him, how much he honors him and what a pleasure it is to work directly for him. The viewers start to question the veracity of Macbeth’s statements. He seems to be trying to convince the King to trust him, when Macbeth doesn’t even trust himself because he is very confused. â€Å"The service and the loyalty I owe, / In doing it, pays itself. † Macbeth seems to be honest when he speaks these words, but when we listen to his soliloquy we doubt this. This is what builds the situational irony again. The dramatic irony is a tool for the audience to learn more about the character of Macbeth. The listeners used to think that Macbeth was impulsive, naive, and good hearted, after this scene, people start to question that. This aims to the theme of the play, â€Å"Fair is foul, and foul is fair† . There’s confusion between what’s right and what’s wrong. To this point, the spectators don’t know what to think about Macbeth, it is all summarized in what the king said, â€Å"There’s no art / To find the mind’s construction in the face. † No matter what your image of somebody is, there’s a fifty/fifty chance that this is false.

Components Of A Computer System

Components Of A Computer System Computer is an electronic machine that can store, organize and search information, do calculation and control other machines. Computer has hardware and also software. Computer hardware means the physical component of a computer system, which has different functions to complete different tasks. Hardware is something we can touch. This hardware includes input devices, output devices, a system unit, storage devices, and communications devices. This could be a monitor, memory chip, hard drive, or CPU. Computer software is the collection of computer programs and related data that provide the instructions telling a computer what to do and how to do it. Software refers to one or more computer programs and data held in the storage of the computer for some purposes. Program software performs the function of the program it implements, either by directly providing instructions to the computer hardware or by serving as input to another piece of software. Software is intangible. Examples of software are application software and system software. Without software, hardware is useless.hero_06_software.jpg Computer Specification Each computer has own computer specification. The computer that Im going to discuss about its specification is HP ProBook 4420s. HP-ProBook-4420s-Notebook-PC_400x400.jpg Processor Intel Core i3-370M Processor (2.4 GHz, 3 MB L3 cache) Memory 2 GB 1066 MHz DDR3 SDRAM Chipset Mobile Intel ® HM57 Express Operating System Windows 7 Ultimate Graphic card ATI Mobility Radeon HD 5470 with 512 MB dedicated video memory Internal drive 320 GB 7200 rpm SATA II Optical disk drive DVD+/-RW SuperMulti DL LightScribe Display 14.0 diagonal LED-backlit HD anti-glare (1366 x 768) Integrated camera 2.0 MP webcam Weight and dimension- 2.27 kg, 33.60 x 23.24 x 2.70 cm Battery type and life 6-cell (47 WHr) Li-Ion, up to 4 hours and 30 minutes Processor: The processor of this laptop is Intel Core i3-370M. Processor is also called the central processing unit (CPU). It is the electronic component that interprets and carries out the basic instructions that operate a computer. Furthermore, it is the portion of a computer system that carries out the instructions of a computer program, and is the primary element carrying out the computers functions. The central processing unit carries out each instruction of the program in sequence, to perform the basic arithmetical, logical, and input/output operations of the system. System clock: The processor relies on a small quartz crystal circuit called the system clock to control the timing of all computer operations. The pace of the system clock, called the clock speed, is measured by number of ticks per second. The clock speed for this processor of this laptop is 2.40GHz (Giga Hertz). The clock rate is the speed at which a microprocessor executes instructions. Every computer contains an internal clock that regulates the rate at which instructions are executed and synchronizes all the various computer components. The CPU requires a fixed number of clock ticks (or clock cycles) to execute each instruction. The faster the clock, the more instructions the CPU can execute per second. Cache: Most of todays computers improve their processing times with cache. Memory cache helps speed the processes of the computer because it stores frequently used instructions and data. This laptop is having L3 cache on the motherboard which is separate from the processor chip. Memory: Memory is the primary storage. It consists of electronic components that store instructions waiting to be executed by the processor, data needed by those instructions, and the results of processing the data which is information. Most Random access memory (RAM) is volatile, which means it loses its contents when the power is removed from the computer. The RAM of this laptop is 2 GB 1066 MHz DDR3 SDRAM. SDRAM refers to Synchronous DRAM, which can synchronized to the system clock and it is much faster than DRAM. Chipset: Chipset of this laptop is Mobile Intel ® HM57 Express. A chipset refers to a group of integrated circuits, or chips, that are designed to work together. They are usually marketed as a single product. It is usually designed to work with a specific family of microprocessors. Because it controls communications between the processor and external devices, the chipset is used to determine the system performance. The mobile Intel ® HM57 Express Chipset is part of the mobile Intel ® 5 Series Chipsets, providing single chip architecture and delivering: Intel ® Anti-Theft Technology for PC protection that can disable a lost or stolen PC and reactivate it without compromise to the system or data Blue-ray* logo capable HD video playback, with native support for Blue-ray drives Intel ® Rapid Storage Technology for enhanced performance, power management, and data protection for the storage subsystem Operating System: An operating system (OS) is software, consisting of programs and data, that runs on computers and manages computer hardware resources and provides common services for efficient execution of various application software. Examples of popular modern operating systems for personal computers are Microsoft Windows, Mac OS X, and GNU/Linux. The operating system that installed in this laptop is Windows 7 Ultimate 64-bit. Graphic Card: The graphic card included in this laptop is ATI Mobility Radeon HD 5470 with 512 MB dedicated video memory. This graphic card has 512MB of dedicated DDR3 VRAM (Video RAM), which means it has 512MB for storing data (not combining with computer RAM). The higher the memory of VRAM, the better the graphical item (such as picture, video, and game loading) can be presented and better loading time. Internal drive: The hard disk included in this laptop is 320 GB 7200 rpm SATA II. A hard disk drive (HDD) is a non-volatile, random access device for digital data. It features rotating rigid platters on a motor-driven spindle within a protective enclosure. Data is magnetically read and written on the platter by read/write heads that float on a film of air above the platters. SATA II is the second generation SATA interfaces running at 3.0 Gbit/s are shipping in high volume as of 2010[update], and prevalent in all SATA disk drives and the majority of PC and server chipsets. With a native transfer rate of 3.0 Gbit/s, and taking 8b/10b encoding into account, the maximum uncoded transfer rate is 2.4 Gbit/s (300 MB/s). Optical disc drive: The optical disc drive in this laptop is DVD+/-RW SuperMulti DL LightScribe . It is support for the Blu-ray DVD drive on configurations with integrated graphics requires Windows7 or Windows Vista. Optical disc drives are an integral part of stand-alone consumer appliances such as CD players, DVD players and DVD recorders. They are also very commonly used in computers to read software and consumer media distributed in disc form, and to record discs for archival and data exchange. Others: The display of this laptop is 14.0 diagonal LED-backlit HD anti-glare (1366 x 768). Furthermore, this laptop is only weighed 2.27 kg and has a dimension of 33.60 x 23.24 x 2.70 cm. This laptop of has a webcam which is 2.0MP. Meanwhile, this laptop use the battery of 6-cell (47 WHr) Li-Ion and it can last up to 4 hours and 30 minutes. Analysis of Overall Performance This laptop is using a processor of Intel Core i3-370M Processor.

The Eight Principles Of Quality Management Principles Management Essay

The Eight Principles Of Quality Management Principles Management Essay This document introduces the eight quality management principles on which the quality management system standards of the ISO 9000:2000 and ISO 9000:2008 series are based. These principles can be used by senior management as a framework to guide their organizations towards improved performance. The principles are derived from the collective experience and knowledge of the international experts who participate in ISO Technical Committee ISO/TC 176, Quality management and quality assurance, which is responsible for developing and maintaining the ISO 9000 standards. The eight quality management principles are defined in ISO 9000:2005, Quality management systems Fundamentals and vocabulary, and in ISO 9004:2000, Quality management systems Guidelines for performance improvements. This document gives the standardized descriptions of the principles as they appear in ISO 9000:2005 and ISO 9004:2000. In addition, it provides examples of the benefits derived from their use and of actions that managers typically take in applying the principles to improve their organizations performance. Principle 1: Customer focus Principle 2: Leadership Principle 3: Involvement of people Principle 4: Process approach Principle 5: System approach to management Principle 6: Continual improvement Principle 7: Factual approach to decision making Principle 8: Mutually beneficial supplier relationships The next step Principle 1: Customer focus Organizations depend on their customers and therefore should understand current and future customer needs, should meet customer requirements and strive to exceed customer expectations. Key benefits: Increased revenue and market share obtained through flexible and fast responses to market opportunities. Increased effectiveness in the use of the organizations resources to enhance customer satisfaction. Improved customer loyalty leading to repeat business. Applying the principle of customer focus typically leads to: Researching and understanding customer needs and expectations. Ensuring that the objectives of the organization are linked to customer needs and expectations. Communicating customer needs and expectations throughout the organization. Measuring customer satisfaction and acting on the results. Systematically managing customer relationships. Ensuring a balanced approach between satisfying customers and other interested parties (such as owners, employees, suppliers, financiers, local communities and society as a whole). Principle 2: Leadership Leaders establish unity of purpose and direction of the organization. They should create and maintain the internal environment in which people can become fully involved in achieving the organizations objectives. Key benefits: People will understand and be motivated towards the organizations goals and objectives. Activities are evaluated, aligned and implemented in a unified way. Miscommunication between levels of an organization will be minimized. Applying the principle of leadership typically leads to: Considering the needs of all interested parties including customers, owners, employees, suppliers, financiers, local communities and society as a whole. Establishing a clear vision of the organizations future. Setting challenging goals and targets. Creating and sustaining shared values, fairness and ethical role models at all levels of the organization. Establishing trust and eliminating fear. Providing people with the required resources, training and freedom to act with responsibility and accountability. Inspiring, encouraging and recognizing peoples contributions. Principle 3: Involvement of people People at all levels are the essence of an organization and their full involvement enables their abilities to be used for the organizations benefit. Key benefits: Motivated, committed and involved people within the organization. Innovation and creativity in furthering the organizations objectives. People being accountable for their own performance. People eager to participate in and contribute to continual improvement. Applying the principle of involvement of people typically leads to: People understanding the importance of their contribution and role in the organization. People identifying constraints to their performance. People accepting ownership of problems and their responsibility for solving them. People evaluating their performance against their personal goals and objectives. People actively seeking opportunities to enhance their competence, knowledge and experience. People freely sharing knowledge and experience. People openly discussing problems and issues. - Principle 4: Process approach A desired result is achieved more efficiently when activities and related resources are managed as a process. Key benefits: Lower costs and shorter cycle times through effective use of resources. Improved, consistent and predictable results. Focused and prioritized improvement opportunities. Applying the principle of process approach typically leads to: Systematically defining the activities necessary to obtain a desired result. Establishing clear responsibility and accountability for managing key activities. Analysing and measuring of the capability of key activities. Identifying the interfaces of key activities within and between the functions of the organization. Focusing on the factors such as resources, methods, and materials that will improve key activities of the organization. Evaluating risks, consequences and impacts of activities on customers, suppliers and other interested parties. Principle 5: System approach to management Identifying, understanding and managing interrelated processes as a system contributes to the organizations effectiveness and efficiency in achieving its objectives. Key benefits: Integration and alignment of the processes that will best achieve the desired results. Ability to focus effort on the key processes. Providing confidence to interested parties as to the consistency, effectiveness and efficiency of the organization. Applying the principle of system approach to management typically leads to: Structuring a system to achieve the organizations objectives in the most effective and efficient way. Understanding the interdependencies between the processes of the system. Structured approaches that harmonize and integrate processes. Providing a better understanding of the roles and responsibilities necessary for achieving common objectives and thereby reducing cross-functional barriers. Understanding organizational capabilities and establishing resource constraints prior to action. Targeting and defining how specific activities within a system should operate. Continually improving the system through measurement and evaluation. Principle 6: Continual improvement Continual improvement of the organizations overall performance should be a permanent objective of the organization. Key benefits: Performance advantage through improved organizational capabilities. Alignment of improvement activities at all levels to an organizations strategic intent. Flexibility to react quickly to opportunities. Applying the principle of continual improvement typically leads to: Employing a consistent organization-wide approach to continual improvement of the organizations performance. Providing people with training in the methods and tools of continual improvement. Making continual improvement of products, processes and systems an objective for every individual in the organization. Establishing goals to guide, and measures to track, continual improvement. Recognizing and acknowledging improvements - Principle 7: Factual approach to decision making Effective decisions are based on the analysis of data and information Key benefits: Informed decisions. An increased ability to demonstrate the effectiveness of past decisions through reference to factual records. Increased ability to review, challenge and change opinions and decisions. Applying the principle of factual approach to decision making typically leads to: Ensuring that data and information are sufficiently accurate and reliable. Making data accessible to those who need it. Analysing data and information using valid methods. Making decisions and taking action based on factual analysis, balanced with experience and intuition. Principle 8: Mutually beneficial supplier relationships An organization and its suppliers are interdependent and a mutually beneficial relationship enhances the ability of both to create value Key benefits: Increased ability to create value for both parties. Flexibility and speed of joint responses to changing market or customer needs and expectations. Optimization of costs and resources. Applying the principles of mutually beneficial supplier relationships typically leads to: Establishing relationships that balance short-term gains with long-term considerations. Pooling of expertise and resources with partners. Identifying and selecting key suppliers. Clear and open communication. Sharing information and future plans. Establishing joint development and improvement activities. Inspiring, encouraging and recognizing improvements and achievements by suppliers. - ISO 9000 is a family of standards for quality management systems. ISO 9000 is maintained by ISO, the International Organization for Standardization and is administered by accreditation and certification bodies. The rules are updated, as the requirements motivate changes over time. Some of the requirements in ISO 9001:2008 (which is one of the standards in the ISO 9000 family) include a set of procedures that cover all key processes in the business; monitoring processes to ensure they are effective; keeping adequate records; checking output for defects, with appropriate and corrective action where necessary; regularly reviewing individual processes and the quality system itself for effectiveness; and facilitating continual improvement A company or organization that has been independently audited and certified to be in conformance with ISO 9001 may publicly state that it is ISO 9001 certified or ISO 9001 registered. Certification to an ISO 9001 standard does not guarantee any quality of end products and services; rather, it certifies that formalized business processes are being applied. Although the standards originated in manufacturing, they are now employed across several types of organizations. A product, in ISO vocabulary, can mean a physical object, services, or software. Contents [hide] 1 Contents of ISO 9001 1.1 Summary of ISO 9001:2008 1.2 1.0 Scope 1.3 2.0 Normative reference 1.4 3.0 Terms and definitions 1.5 4.0 Quality management system 1.6 5.0 Management responsibility 1.6.1 5.1 Management commitment 1.7 6.0 Resource management 1.8 7.0 Product realization 1.9 8.0 Measurement, analysis and improvement 1.9.1 8.5 Improvement 1.9.1.1 8.5.1 Continual improvement 1.10 1987 version 1.11 1994 version 1.12 2000 version 1.13 Certification 2 Auditing 3 Industry-specific interpretations 4 Effectiveness 4.1 Advantages 4.2 Problems 4.3 Summary 5 See also

aboriginal medicine Essay -- essays research papers

  Ã‚  Ã‚  Ã‚  Ã‚  Many of the inequalities in the health of the Aboriginal people can be attributed to the erosion of the Aboriginal culture.(chp.2). Restrictions placed on the cultural practices of the Aboriginal people ultimately led to the abatement of the Aboriginal traditional medicines.(p88). Losing their freedom to practice traditional therapeutics, the Aboriginal people eventually had to adapt to the culturally inappropriate ways of western medicines. The purpose of this paper is to examine the advantages of Aboriginal healing methods for the Aboriginal people, as well as to explain why these traditional methods continued to persist long after western style medicines were introduced. Advantages of Aboriginal Healing Methods for the Aboriginal People   Ã‚  Ã‚  Ã‚  Ã‚  Traditional healing methods were based upon traditional Aboriginal spirituality beliefs.(p18). This spiritual belief system stated that â€Å"people exist within this context as worthy creatures, but no more worthy than any other being. To live secure, healthy lives through acknowledging and respecting the spiritual as well as the physical world, because there is no difference between the two.†(p71). The whole Aboriginal culture was based around these beliefs. Everyone in the community was treated as equal with acknowledgment and respect. Therefore those who deemed to follow the cultural beliefs had no difficulty in understanding the healing practices of the people. This appreciation of equality and respect was an advantage to the Aboriginal people, especially within their healing methods.   Ã‚  Ã‚  Ã‚  Ã‚  Illness was treated in many ways but the main goal was to achieve a sense of balance and harmony.(p82). Applications of herbs and roots, spiritual intervention, and community wide ritual and ceremonies were all therapeutic practices.(p71). â€Å"It was the healer who held the keys to the supernatural and natural worlds and who interpreted signs, diagnosed disease and provided medicines from the grassland, woodland, and parkland pharmacopoeia.†(p18). The healers knowledge of herbs and roots and ways to administer and diagnose had been passed down from generation to generation.(p85). Healers stood as an advantage for the Aboriginal people. â€Å"Trust and a personal relationships would naturally build between the patient and the healer.†(p77). This must have ... ...be effective for them. The healing practices persisted because they satisfied the needs of the Aboriginal people and because they trusted and understood the healing rituals and practices along with the individuals involved. Isn’t it best to trust what you know?   Ã‚  Ã‚  Ã‚  Ã‚  The nature of traditional medicine and its intimate relationship with Aboriginal culture explains the inadequacy of Western medicine as the primary model of health care for the Aboriginal community. I believe the preservation of the Aboriginal culture is the only true cure for the Aboriginal people. Society today must work on developing an understanding towards each other, and realize that the Aboriginal people are not rebelling against the â€Å"White man† or his ways, rather Aboriginal’s are trying to help their people by going back to what has worked for their ancestors for centuries; and what they feel comfort in.   Ã‚  Ã‚  Ã‚  Ã‚     Ã‚  Ã‚  Ã‚  Ã‚     Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  word count: 12542 Medicine That Walks Question #4 based on the book by Maureen Lux

Best Evidence :: essays research papers

There are archetypal patterns in life. They reoccur and become familiar to people through all ages and ethnicities. Throughout history, few literary works have captivated audiences by incorporating these patterns. The epic Beowulf is one literary work that effectively incorporates timeless components. The epic poem relates the tale of Beowulf, a warrior who throughout his life overcomes evils. It has strong elements of Anglo-Saxon elements of bravery, strength and of religious tenets. Beowulf enjoys universal appeal primarily because of its elements of characterization, plot and theme that prove timeless. Beowulf’s portrayal of human nature proves eternal. The protagonist Beowulf brashly lists his accomplishments before entering battle: "But the truth is simple: no man swims in the sea as I can, no strength is a match for mine†¦ other monsters crowded around me, continually attacking. I treated them politely, offering the edge of my razor-sharp sword," (265-294) . His boasts are symbolic of his personal insecurity. Beowulf seems scared of defeat and faliure. His boastful remarks are reminders to himself of his invincibility. Because he is insecure, Beowulf is an accurate representation of human nature. The poem also discloses social behaviors through Welthow, who portrays appropriate submissiveness of a wife. Women in society and position always are hot topics for discussion in any country and time period. She is subservient to her husband and " [pours] a portion from the jeweled cup for each, till [she] had carried the mead-cup among [the guests]," (354-372). Jealousy is a accurately portrayed in the poem. is a human attribute that will apply to any time period anywhere. In the incident with Unferth, for example: "angry that anyone in Denmark or anywhere on earth had ever acquired glory and fame greater than his own"(236-238) tries to belittle Beowulf’s claims to bravery, and, by doing so, adds realistic qualitie s to his character. Belief Divine or supernatural notions are also tendencies of human nature. The poem reflects this ageless concern through references to "that Shepherd of Evil" (432) and "[sacrifices] to the old stone gods" (90). These are both conflicting allusions to the two prominent religions of the time. One pertains to Christian ideology; i.e. "The Almighty God" (493), and "the Almighty making the earth" (8), and the other relates to Anglo Saxon religious beliefs; i.e., "the omens were good" (118) and "fate will unwind as it must," (189). The poem alludes to Christianity, a monotheistic religion that rejects ideas of fate.

K Pop Invasion

 ·Jealous Jealous of the girl who caught your eye One of my darker days When you looked at her where was I? Shoulda been in her place, here I am All alone imagining what could have been If I had been there Jealous of the one whose arms are around you If she's keeping you satisfied Jealous of the one who finally found you Made your sun and your stars collide La la la la la la la She's a very, very lucky girl La la la la la la la Jealous of the one who won your heart They say it's a perfect match She's gonna get to be where you are And I don't get better than that She'll say you're fine Whisper words I wish were mineAnd they might have been If I had been there Jealous of the one whose arms are around you [ From: http://www. elyrics. net/read/n/nina-lyrics/jealous-lyrics. html ] If she's keeping you satisfied Jealous of the one who finally found you Made your sun and your stars collide La la la la la la la She's a very, very lucky girl La la la la la la la You know I'd fight the good fight If I thought I'd change your mind But if she makes you happy I would leave that dream behind Man, she better treat you right And give you everything ‘Cause at the moment she doesn't I'll be waiting in the wings Jealous of the one whose arms are around youIf she's keeping you satisfied Jealous of the one who finally found you Made your sun and your stars collide La la la la la la la She's a very, very lucky girl La la la la la la la La la la la la la la She's a very, very lucky girl  ·We Are Never Ever Getting Back Together I remember when we broke up the first time Saying, â€Å"This is it, I've had enough,† 'cause like We hadn't seen each other in a month When you said you needed space. (What? ) Then you come around again and say â€Å"Baby, I miss you and I swear I'm gonna change, trust me. † Remember how that lasted for a day? I say, â€Å"I hate you,† we break up, you call me, â€Å"I love you. â€Å"Oooh we called it off again last night But oooh, this time I'm telling you, I'm telling you We are never ever ever getting back together We are never ever ever getting back together You go talk to your friends, talk to my friends, talk to me But we are never ever ever ever getting back together Like, ever†¦ I'm really gonna miss you picking fights And me, falling for it screaming that I'm right And you, would hide away and find your peace of mind With some indie record that's much cooler than mine Oooh, you called me up again tonight But oooh, this time I'm telling you, I'm telling you We are never ever ever getting back togetherWe are never ever ever getting back together You go talk to your friends, talk to my friends, talk to me (talk to me) But we are never ever ever ever getting back together Oooh yeah, oooh yeah, oooh yeah Oh oh oh I used to think that we were forever ever And I used to say, â€Å"Never say never†¦ † Uggg, so he calls me up and he's like, â€Å"I still love you,† And I'm likeâ € ¦ â€Å"I just†¦ I mean this is exhausting, you know, like, We are never getting back together. Like, ever† No! We are never ever ever getting back together We are never ever ever getting back together You go talk to your friends, talk to my friends, talk to meBut we are never ever ever ever getting back together We, ohhh, getting back together,ohhh, We, ohhh, getting back together You go talk to your friends, talk to my friends, talk to me (talk to me) But we are never ever ever ever getting back together  ·Awake With every appearance by you Blinding my eyes, I can hardly remember The last time I felt like I do You? re an angel disguised And you? re lying real still But your heartbeat is fast just like mine And the movie? s long over That? s three that have passed, one more? s fine Will you stay awake for me? I don? t wanna miss anything I don? t wanna miss anything I will share the air I breatheI? ll give you my heart on a string I just don? t wanna miss anything I? m trying real hard not to shake I? m biting my tongue but I? m feeling alive And with every breath that I take I feel like I? ve won You? re my key to survival And if it? s a hero you want [. From: http://www. elyrics. net/read/s/secondhand-serenade-lyrics/awake-lyrics. html . ] I can save you, just stay here Your whispers are priceless Your presence is too so please stay here Will you stay awake for me? I don? t wanna miss anything I don? t wanna miss anything I will share the air I breathe I? ll give you my heart on a string I just don? t wanna miss anythingSay my name, I just want to hear you Say my name, so I know it's true You? re changing me, you? re changing me You showed me how to live, so just say, so just say That you? ll stay awake for me I don? t wanna miss anything I don? t wanna miss anything I will share the air I breathe I? ll give you my heart on a string I just don? t wanna miss anything  ·Inside My Heart I am nobody with no sense at all Pale as the mountain, cold as the shore Tried reminiscing, alone imagining What if I come to you? Then I stood up making the hours Gazing the sunsets, watching the stars.. Sparkling, smiling hello to my eyes. These as you come to meChorus: Inside my heart is you No greater love, no one above you Inside my heart is you Stay in love always, as I live in your ways Coz, inside my heart is you.. Play with the raindrops, lie on the sand (From: http://www. elyrics. net/read/f/frencheska-farr-lyrics/inside-my-heart-lyrics. html) Sail through the ocean, chasing the clouds Showed me completely what life is about†¦ I left with no worries flying so high (Repeat chorus) The end of all waiting, my new beginning Coz you have loved me this way. Inside my heart is you (oohh) No greater love no one above you ( no one above you†¦ oohh) Inside my heart is youStay in love always, as I live in your ways Coz, inside my heart is you.. Now I know the meaning Its love you creating The love in my heart is you†¦ Ins ide my heart is you..  ·Baby Baby [TAEYEON] Dorineun mam goma oon mam gadeukhi damaso Jelyebeun pojak soge (jonhago shipeunde) [YURI] Anilgoya ooseulgo ya ungdoonghan sang sang daemooneh Mae il miruneun babo (wae nagat janh ge) [JESSICA] Neul ootdon moseub neega nae mam hoob chingo [SUNNY] Gong maro numoo malo andweneunde [ALL] Please baby baby baby geu dae ga nae aneh [SEOHYUN] Numoo do gipi deurowa bo ilga iron nae sujubeun gobaek [ALL] Baby baby baby salmyo shi dagaga [SOOYOUNG]Jakeun mogsoriro gaga ee noman deurige malhae joolgeh [YOONA] Dab dab han mam mianhan mam onjenga jonaejool Mae il sahyo ganeun sunmool (jonhago shipeunde) [TIFFANY] Anilgo ya shireulgoya Geunyang nalpyon han chingu ee sangeun joldae anya (geuromyun ajae? ) [SUNNY] Neul otneun moseub nimam hoob chigo shipo [TAEYEON] Jongmaro numoo deulryo jugo shipo [ALL] Please baby baby baby geudaega nae aneh [From: http://www. elyrics. net/read/g/girls_-generation-lyrics/baby-baby-lyrics. html ] [JESSICA] Numoodo gipi deurowa bo il ga iron nae sujubeun gobaek [ALL] Baby baby baby sal myo shi dagaga [HYOYEON] Boodeuron noon ooseum euro noye momeh seumyo algoya [SEOHYUN] Sashil nudo algo nagagaji mothaneun nal [JESSICA] Oneu saenga naege no daga ogo itneungol [TAEYEON] Pogeunhan geu poomeuro nal gok anajwo [ALL] Please baby baby baby geudaega nae aneh [YURI] Numoo do gipi deurowa bo il ga iron nae sujubeun go baek [ALL] Baby baby baby sal myo shi dagaga [YOONA] Jakeun mogsoriro gaga ee noman neurige malhae jooleh [ALL] Please baby baby baby naega geudae aneh [TIFFANY] Sojong han sarang maneuro gadeugi chaewo nogo shipungolyo [ALL] Baby baby baby ijeneun geudaeye [TAEYEON] Nugodo boorubji anheul gajang yebeun yoja chinguya [ALL] Please baby baby baby